- Best tenor recorder small hands chiff and fipple full#
- Best tenor recorder small hands chiff and fipple series#
Blow gently, sustaining the same pressure at all times. When it becomes necessary to take a breath, it should be taken quickly and quietly.īlowing is done through exhaling into the mouthpiece with the lips gently sealed around it and the end of the mouthpiece positioned in front of slightly separated teeth. This will allow for better breath control. Breaths should be taken from the diaphragm (like in singing) and expelled with support from the diaphragm. On long passages, one has a tendency to run out of wind. Proper blowing and breathing is the key to pleasing sounds.
If the student adequately masters both the C and F fingering, he can play any recorder (including German fingerings) with a little study and practice. Once the fingerings are mastered, a second recorder is much easier to learn. When switching from an F to C or vice-versa, it is very easy to get confused and "goofy fingered". It is not recommended that the novice get a second recorder until he has mastered the first. A resonable priced recorder is generally good for a start and you can always get a better one later. In addition, a plastic instrument does not sound like a wooden instrument.īuy the best instrument you can affored but don't let price interfere with getting one. However, plastic doesn’t absorb any moisture: the recorder tends to clog up much quicker than a wooden model. This instrument will certainly allow you to learn recorder technique and play tunes.
Best tenor recorder small hands chiff and fipple series#
Yamaha makes a fairly decent soprano plastic recorder ( 20 and 300 series ) and wooden recorder ( 20, 40, 60,80,800 and 900 series ). Our Modern Alto and the Helder recorders were the first models to put this design into practice. Their slightly conical bore combined with the lengthening of the instrument by the addition of keys open up entirely new sound possibilies and extend their range well into the third octave. Harmonic recorders (3) surpass their historic predecessors in their innovative design. Their elaborate design and detail make them highly suitable for the virtuosic music of the Baroque era: quick and clear response and flexibility over a range of more than two octaves combined with expressiveness and an even sound throughout all registers. The exterior of these threepart recorders is decorated with ornamentally turned joints, such as those by Jacob Denner (1681–1735).
Best tenor recorder small hands chiff and fipple full#
Their characteristic is the full strong sound, particularly in the lower register, that blends well in consort playing: the emphasis at the time was on consort playing rather than on solo repertoire.īaroque recorders (2) are characterised by a more complex and irregular bore and smaller fingerholes.
Their exterior is usually plain with only very limited decoration as can be found in those made by Hieronymus F. Recorders of the Renaissance and the Early Baroque (1) are recognised by their wide cylindrical bore and comparatively large finger holes. Nowadays recorder players can choose instruments from a wide range of models that reflect the skills of recorder making of the most divers historic periods. Modern recorder tutors therefore base their teaching method on the Baroque fingering system as even young children can adapt to this without any problems if suitably taught. However, this simplification often results in intonation problems when playing in keys other than the home key of the instrument: F sharp and G sharp require complicated fingerings if the tuning is to be right. The main difference is the note F (Soprano Recorder) which can be fingered more easily in the German system (as opposed to the forked fingering of the baroque system, see below). The fact remains, however, that some teachers still prefer the German fingering system as an introduction. Opinions differ on this point to this day. Many teachers considered the German fingering to be easier and more suitable for an initial introduction to music as this avoided the use of forked fingerings in the home scale. It was at this time that Peter Harlan developed the German fingering system to be used alongside the historical Baroque system. Most school recorders are available in either fingering system so that a decision has to be made for one or the other at the time of purchase.The origin of the different fingering systems goes back to the rediscovery of the recorder in the 1920s.